Where her visual art and poetry navigate the complexification of desire in a life increasingly mediated by technology, her music utilizes the sounds of technology itself to construct parallell realities to be inhabited and embodied in rhythm and harmonic tableaux.
Her sets skillfully deploy the notion of sampling, and re-blogging DJ strategies, ecstatically mixing an array of influences that frolic at the boundary of genre-intuition and experimentation. At once an assertion of freedom and an ode to the evolutionary structure of electronic music subcultures, she aspires to the sublime in what can often only be described as witchcraft behind the decks; seance from the stage.
Jiménez started Djing and has been part of the electronic scene i n Spain since her early twenties. She started experimenting with electronic music production by editing field recordings after moving to the Netherlands i n 2010. The following year she relocated to Berlin, where she began to actively Djing i n the electronic circuit. Her first 12-inches appeared in 2016: Caja Negra on Anunnaki Cartel and then Mother via Alessandro Adriani's Mannequin l abel. By then she was a resident DJ at Mannequin's regular nights at OHM and l ater Berghain's Säule, where she honed a voice as a selector that smoothly traverses tempos and eras.