With Horst turning the page on its first decade, a new chapter awaits. To celebrate the ever-growing Horst community we gathered on the right bank of the Zenne river. With a new stage for the dancers in the form of the decagonal Ring by the Belgian-Italian studio Piovenefabi, a home for Vilvoorde and the Horst heads was built for years to come. Connecting the temporality of the music, the expo and our ateliers with a communal space that thrives all year.
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Eight visual artists and collectives were given free rein in and around Asiat Park to question the defining role of human interference. From site-specific commissions that physically intervened in the context, to digital interpretations that shine a contemporary light on today's data-driven society. The exhibition brought together the natural world, the human mind and technology to offer the possibility of stepping back, observing and perhaps re-setting patterns. While ‘To Have’, closely associated with ownership and possession might imply a one-sided relationship, the act of holding implies caring for the other. By questioning what it means To Have or To Hold, the exhibition advocated for the focus on relationality—deciding whether to cherish or possess, to nurture or utilise public space or to commit to the site by repurposing existing infrastructure.
However, not only dancefloors regenerated. At the central Officer’s Bar, Stand Van Zaken together with multidisciplinary artist Serban Ionescu bundled their expertise for a total redesign of the site’s former leisure point. Revitalizing the bar with a harmonious blend of circular materials, lively colours, and unexpected fixtures.
In a never-ending search for the outer edges of progressive culture, the programming of Horst 2024 displayed the versatility of inventive toying with the festival’s past, present and future, highlighted by a cheeky ode to the festival’s roots in the heydays of dubstep. Offering the spotlight to the new guard, under the wings of the old.